The story of James Reyne and the Australian film "Going Down" is a fascinating glimpse into the power of art and memory. This film, a relic of the 1980s, is getting a well-deserved second life, and with it, a chance to reflect on the impact it had on those involved.
A Tale of Love and Loss
Before his musical fame, James Reyne studied acting, where he met the talented Vera Plevnik. Their relationship, though brief, left a lasting impression. When Plevnik tragically passed away during the filming of "Going Down," it brought Reyne and the film's director, Haydn Keenan, together again.
The Film's Legacy
"Going Down" is a gritty, energetic portrayal of youth in the 1980s, centered around four young women and their last night of freedom before one's departure to New York. It captures a specific moment in Australia's social history, a time defined by its drug culture and vibrant nightlife. The film's authenticity is what makes it so captivating, and it's this very authenticity that has led to its revival.
A Second Chance
An American filmmaker, Elizabeth Purchell, stumbled upon a VHS copy of "Going Down" in a New York video store. Recognizing its unique charm and catchy soundtrack, she championed its release in the US, and now, decades later, it's returning to Australian cinemas. This revival is a testament to the film's enduring appeal and the hard work of those who restored it.
A New Perspective
What makes this film particularly intriguing is its focus on young women, a rarity in Australian cinema at the time. It showcases a raw, unfiltered portrayal of female friendship, drug use, and the complexities of youth. This perspective, combined with the film's energetic direction, creates a powerful and unique viewing experience.
The Impact of Restoration
The restoration of "Going Down" is a labor of love, and the results are impressive. Director Haydn Keenan expresses his excitement, noting that the film now looks better than it originally did. This restoration has not only given the film a new lease of life but has also provided a platform for younger audiences to discover this hidden gem and for older audiences to relive a piece of their past.
A Reflection on Australian Cinema
Keenan's comments on the current state of Australian cinema are thought-provoking. He highlights the challenges of funding and distributing films, a stark contrast to the explosive energy of the 1980s. This revival of "Going Down" serves as a reminder of a time when Australian cinema was bold and innovative, and it begs the question: What has changed, and how can we recapture that spirit?
Conclusion
"Going Down" is more than just a film; it's a time capsule, a reminder of a bygone era, and a tribute to the talented Vera Plevnik. Its revival is a chance to celebrate the past, reflect on our cultural history, and appreciate the power of cinema to preserve and revive memories.
